Ackroyd, P. (1984). T.S. Eliot. Hamish Hamilton.
Art of Smart Education. (2023, June 16). How to analyse The Hollow Men by T.S. Eliot for HSC English. https://artofsmart.com.au/english/the-hollow-men-analysis/
Balavage, E. (2021). Illumination, transformation, and nihilism: T. S. Eliot’s empty spaces. Journal of Modern Literature, 44(3), 35–48. https://doi.org/10.2979/jmodelite.44.3.03
Bennett, A., & Royle, N. (2016). An introduction to literature, criticism and theory (6th ed.). Routledge.
Brooker, J. S. (1985). Mastery and escape: T.S. Eliot and the dialectic of modernism. University of Massachusetts Press.
Brooker, J. S. (1994). Mastery and escape: T.S. Eliot and the dialectic of modernism. University of Massachusetts Press.
Camus, A. (1955). The myth of Sisyphus (J. O’Brien, Trans.). Vintage. (Original work published 1942)
Chinitz, D. E., & McDonald, G. (Eds.). (2014). A companion to modernist poetry. Wiley-Blackwell. https://doi.org/10.1002/9781118604427
Eagleton, T. (2013). How to read literature. Yale University Press.
Eliot, T. S. (1925). The Hollow Men. In Collected poems 1909–1962 (pp. 77–82). Harcourt Brace Jovanovich.
Eliot, T. S. (1982). Tradition and the individual talent. Perspecta, 19, 36–42. https://doi.org/10.2307/1567048
Ellison, D. R. (1990). Understanding Albert Camus. (No Title).
Esslin, M. (1961). The theatre of the absurd. Doubleday.
Foley, J. (2008). Albert Camus: From the absurd to revolt. McGill-Queen’s University Press.
Gardner, H. L. (1949). The art of T.S. Eliot. Cresset Press.
Gordon, L. (1998). T.S. Eliot: An imperfect life. W. W. Norton.
Howard, J. G. (2012). T. S. Eliot’s The Hollow Men. The Explicator, 70(1), 8–12. https://doi.org/10.1080/00144940.2012.656736
Howarth, P. (2011). The Cambridge introduction to modernist poetry. Cambridge University Press.
Kamenov, D. (2020). “This final and defiant gesture”: The importance of C. Green in Thomas Wolfe’s You can’t go home again. Thomas Wolfe Review, 44(1–2), 153–161.
Leavis, F. R. (2015). New bearings in English poetry. Faber & Faber. (Original work published 1932)
Masarwah, N. (2015). The use of ancient myths in modern poetry: The myth of Sisyphus as a case study. European Journal of English Language and Literature Studies, 3(5), 10–22.
Moody, A. D. (1994). Thomas Stearns Eliot: Poet. Cambridge University Press.
Pani, P. (2013). Reflections on the existential philosophy in T.S. Eliot’s poetry. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), 301–316. https://cosmosandhistory.org/index.php/journal/article/view/294
Pani, P. (2017). Metaphysical exile in T.S. Eliot and Albert Camus. Journal of Comparative Literature and Aesthetics, 40(1), 45–58.
Roston, M. (2000). Modernist patterns in literature and the visual arts. Macmillan.
Sharpe, T. (2014). T. S. Eliot: A literary life. Palgrave Macmillan.
Sherman, D. (2009). Camus. Wiley-Blackwell.
Southam, B. C. (1996). A guide to the selected poems of T. S. Eliot (6th ed.). Harcourt Brace.
Spender, S. (1975). T.S. Eliot. Viking Press.
Uddin, S. R., & Al Hasan, M. (n.d.). A Sartrean analysis of existential crisis and the fear of emptiness in T.S. Eliot’s The Hollow Men and Gerontion. [Manuscript available via academic repositories].
Williamson, G. (1998). A reader’s guide to T.S. Eliot: A poem-by-poem analysis. Syracuse University Press.
